SUBJECTIVITY IN STEPHEN DEDALUS, THE MAIN CHARACTER IN JAMES JOYCE’S A PORTRAIT OF THE ARTIST AS A YOUNG MAN

Anisa Rahmatika Sari(1*), Mugijatna Mugijatna(2)

(1) Sebelas Maret University
(2) Sebelas Maret University
(*) Corresponding Author

Abstract

Subjectivity is a philosophical concept of how one, as a subject, gains the sense of identity through the interaction with the external world. The theorization on the conception of subjectivity itself has ranged from the early modern thinkers to post-modern thinkers. This research’s objectives are to describe the struggle of Stephen Dedalus, the main character in James Joyce’s novel entitled A Portrait of The Artist As A Young Man, to gain his identity as a form of subjectivity, and to describe how the model of subjectivity is reflected through the character of Stephen Dedalus. This research is a descriptive qualitative library research with philosophical approach using Descartes, Kant, Freud and Lacan theories. From the analysis, first, it is found out that Stephen Dedalus underwent a journey of figuring himself out through a series of events that profoundly shape his sense of identity. The involvement of many external factors like the field of art, religion, and nationality is important in constructing Stephen Dedalus’ subjectivity. Secondly, by taking into account the theorization on the idea of subjectivity from the early modern philosophers such as Rene Descartes and Immanuel Kant, to the post-modern philosophers such as Sigmund Freud and Jacques Lacan, it can be seen that Stephen Dedalus’ stream of consciousness as the main tool in perceiving his journey of life embodies the early modern conception that subjectivity is grounded on one’s independent consciousness.

 

Keywords: subjectivity, modernity, philosophy

Full Text:

PDF PDF

References

Akca, C. (2008). Religion and Identity Crisis in James Joyce’s “A

Portrait of The Artist As A Young Man”. Epiphany: Journal of

Transdisciplinary Studies. 1(1). 51-61.

Atkins, K. (2009). Self and Subjectivity. Malden, Mass: Blackwell.

Baspinar, H. (2014). Nietzsche’s Influence on Modernist Bildungsroman:

“The Immoralist”, “A Portrait of The Artist As A Young Man”, and

“Demian”. Retrieved from:

http://etd.lib.metu.edu.tr/upload/12617813/index.pdf

Bulson, E. (2006). The Cambridge Introduction to James Joyce.

Cambridge: Cambridge University Press.

El Genaidi, D. (2012). Nietzschean Freedom in James Joyce’s Ficition.

Retrieved from:

https://pqdtopen.proquest.com/doc/1038966473.html?FMT=ABS

Fragnoli, A.N. (1996). James Joyce from A to Z: The Essential

Reference to the Life and Work. New York: Oxford UP.

Gunes, A. (2006). Crisis of Identity in “A Portrait of The Artist As A

Young Man”. Dogus University Dergisi. 6. 37-49.

Hibbs, T.S. (2000). Portraits of The Artist: Joyce, Nietzsche, and

Aquinas. Retieved from:

https://www3.nd.edu/~maritain/ama/Ramos/Ramos09.pdf

Kamarzade, S. (2014). Study of “Stephen Dedalus”, The Main Protagonist

of A Portrait of The Artist As A Young Man. Advance in Language and

Literary Service. 5(2). 162-165.

Mansfield, N. (2000). Subjectivity: Theories of the self from Freud to

Haraway. New York: New York University Press.

Perona, M.A.C. (1999). An Aesthetic of Sacredness: A Nietzschean

Reading of James Joyce and T.S. Elliot. Retrieved from:

http://wrap.warwick.ac.uk/4289/

Article Metrics

Abstract view(s): 438 time(s)
PDF: 415 time(s) PDF: 165 time(s)

Refbacks

  • There are currently no refbacks.